Let The Wookiee Win Week 2: Love In The Time of Boba Fett January 19, 2010

The following is the second of a series of columns for The Peak. This week deals with how love is stupid, and how Phantom Menace is stupid, and how when combined they are kind of awesome.

A bunch of years after George Lucas got his rocks off letting the global movie-going populace innocently root for incest, he decided to revisit the franchise that made him grotesquely wealthy. He made a few prequels. You may have heard of them. They were kind of a thing.

The wholesale rape of a series aside, George Lucas did a funny thing: recognizing that love was second only to war (as in, Star Wars) in the landscape of literary devices, he decided to rewrite the entire context of his continuity. I think his goiter told him to do it.

Instead of the epic quest of a band of rebels with the intention of bringing down an empire, Phantom Menace made it the story of a headstrong young Jedi who would enslave a galaxy because he had a dream that his wife might die. Maybe.

This ruffled a few feathers.

And why wouldn’t it? The move made their beloved series of jock sci-fi into the nerd equivalent of The English Patient, with such swagger as to inspire calls for the Lucas himself to be buggered with a Jar-Jar Binks doll. The subsequent, weepy version of the baddest badass to ever rock a cape and emphysema had casual and hardcore fans alike introducing their palms to their faces.

But don’t be deceived; the wooden acting and staid dialogue characterizing the romance between Anakin Skywalker and Padme Amidala is merely the poor technical execution of the most powerful idea Lucas ever committed to film.

It’s awkward from the word go. Our savant slave boy meets the incognito Queen Amidala through a nearly impossible series of coincidences (blame the Force, not the writing), and, throwing reasonable notions of statutory rape to the wind, proceeds to try and woo the 14-year-old monarch as best as his nine-year-old prowess allows (which is to say he showed her his space Lego). Lacking biceps or a wicked automobile, he resorts to clumsiest attempt at flattery in cinematic history, asking her if she was “an angel.” In the best possible distillation of every romantic encounter I have ever had, she looks at him dead in the face, cocks her head to the side and says “What?”

This is the best part of the film, and possibly the best of all three prequels.

Whether intentionally or by accident, Lucas captured one of the greatest and most realistic love stories in Hollywood history, and what makes it so profound is that it almost wallows in its ridiculousness. It recognizes that love is hardly ever the measured, dramatic perfection like we see with Han and Leia in the later episodes, and throws the stupid things we do to the opposite sex at us like a fistful of sand in the eyes.

When Anakin is a kid, all he sees is a goddess, an object of desire. His romantic schooling only goes as far as his mother telling him he was immaculately conceived, likely winking and nudging him the whole time. As he goes through the dogmatically celibate Jedi training, he swims in an ocean of testosterone and midi-chlorians and dreams about her.

Though he has the ability to detect emotions, Yoda and Co. decide it would be a great idea to send a teenager who can crush steel with his mind to spend some alone time with a girl over whom he has Gacy levels of obsession.

Given this opportunity, he awkwardly and directly confesses total dedication to this woman he has spent virtually no time with, and luckily she’s a sucker for a guy with a big lightsaber. In between strained confessions of affection, (and probable explorations of the coital implications of a robotic arm,) they do things like run through a field of wildflowers without a hint of irony.

She gets knocked up, has some twins (who would later totally make out), and, as in every good love story, Anakin goes on to kill millions and set up a cruel dictatorship. What you are feeling right now is the squirming of a million nerds suddenly silenced by the realization that they relate entirely.

Phantom Menace and the love arc of Padme and Anakin was George Lucas’ attempt to take his stories to an operatic level. While the result is more “kill the wabbit” than Barber of Seville, it shows us exactly what our courtship looks like: obsessive, stupid, humiliating, amazing, and utterly central to the life of every person who has ever lived.

Making that primal need for companionship the core of his narrative is just another way Star Wars shows us how we are all exactly the same.

Which is to say, pretty damn goofy.

1 Comment on Let The Wookiee Win Week 2: Love In The Time of Boba Fett

Let The Wookiee Win: Week 1 January 6, 2010

The following originally appeared in The Peak. It is an exploration on why Star Wars to this day makes me squeal with girlish joy. It is part one of a seven part run.


It all begins with a flash.

The way to properly shoot a lightsaber battle is not exactly the most creative aspect of Star Wars. You take two stalwart opponents or, say, sparring partners, and have them fling brightly coloured phalluses at each other in a vaguely acrobatic neo-fencing duel and pocket the billions thrown at you by young male virgins.

Visually, you add a few frames of pure white every time one of those phalluses touch, and you get that brilliant effect that has dazzled audiences for the better part of four decades. Like a photographer’s flash, it fills the room and leaves you feeling physically dazed, which is an important dismissal of defenses when presenting audiences with the supernatural.

George Lucas was using this technique to brain-slap crowds years before Pokemon up and decided to give epileptics the finger.

I know a lot about lightsabers. I know how to make one (both where to get the amplifying crystals and how to build the housing) and I know their most revered users (Yoda, Mace Windu, and Shak Ti, to name a few).

Not only do I know the name of the technique Obi-Wan Kenobi used to make Darth Vader into a multiple amputee (“mou kei”), I know this is a predominantly Sith move, which is why that nerd to your left gasped when it happened while you were watching Revenge of the Sith (even though he knew for years what had occurred).

I also know that it’s unlikely The Holy Trilogy would have had the same global impact it did without them.

This information serves no real purpose. It won’t help me seduce a woman, provide for a family, or find gainful employment. But lightsabers are probably one of the most important parts of my life and of the lives of millions around the planet.

A long, long time ago, Robin Williams grabbed his nuts and said poets were way more important than lawyers and doctors. Though he had a lusty preoccupation with Langston Hughes and likely meant that the works of the Western canon were a touch more steeped in value than the Millennium Falcon, the Dead Poet founder was making an excellent point on the value of (dare I say it: pop) culture in a societal landscape that expects such things to be abandoned when entering adulthood.

Though I doubt he expected his students to jump up on a desk and yell “O Captain my Captain many Bothans died to bring us this information,” the sentiment applies.

It’s a worldwide flash. A single relative frame against the exorbitantly long reel of time that everyone can see, filling the room and dazzling them in a language of light and sound. Star Wars is an international handshake and an embodiment of our collective thoughts about morality, relationships, and war.

It’s as accessible to those who have no idea what a Holocron is, as it is to those who have read their share of sapphic Force erotica. If civilization collapsed tomorrow it would still be relevant: its archetypes and lessons are as universal as any Bible, plus Ewoks.

In fact, everything worth knowing, you can learn from Star Wars. And over the coming semester, I aim to prove it.

Comments Off on Let The Wookiee Win: Week 1

Interview: Asobi Seksu

Originally appearing in Beatroute Magazine.

AS_White_PROMO_09_low

Yuki Chikudate doesn’t think definition gets you anywhere. Or rather, attempting to define her band, Asobi Seksu – the New York-based shoegaze group – is a fool’s errand.

“This question of fitting into a genre or fitting into a specific sound, it’s always a question that people ask bands,” she says. “I never even really know if that clarifies anything or if anyone is every really satisfied.” Indeed, following the release of the band’s breakout album Citrus, there was an almost fevered attempt to define the band as one genre or another. “We have always agreed with the shoegaze thing; it’s definitely part of our sound,” she says, listing off current and prior influences that have been prescribed to the band almost since its inception. “Hopefully we are growing and evolving as a band with each record.”

Despite the collective effort of journalists attempting to define the band musically, Chikudate admits there are clearly other factors at play. “The fact that I look different, I’m an Asian female…it’s very confusing, I guess, for some people.” The questions arising out of their sound (fuzzed out guitars and lyrics lapsing into Japanese at will), ethnicity and the name of the group (Asobi Seksu means “playful sex” in Japanese) are surprising to Chikudate. “Maybe I’m being naive…I just don’t know where that desire (to define us) comes from.”

Just when audiences were getting a handle on the Asobi Seksu sound and talking in earnest about standout tracks off Citrus such as “New Years” and “Red Sea,” the band threw another curveball and released Hush, an album that leans very little on an established formula. The result is clear in songs like “Transparence” and “Gliss,” representing a side of the band more concerned with tight thesis statements than thick dissonance. “We toured with Citrus for about three years and…we kinda got tired.” She laughs and adds, “I think more than anything our ears got tired.” She says the evolution was a natural reaction to a fatigue with the successful sound on Citrus, and the result was a more “minimalist place…a stark place,” born out of keyboard and drum-centric songwriting. “We wanted to go with something a little more uncomfortable.”

Following Hush, Chikudate and co-mastermind James Hanna recorded a remix album of sorts called Rewolf. The album features re-imaginings and acoustic renditions of their songs, and, despite being another departure, ties together their material into a cohesive package where most bands at this stage would have merely put out a token EP. The record was the product of a short recording stint at Olympic Records, the legendary London studio where they competed for studio time with U2. The studio closed its doors shortly after Rewolf had wrapped, so a history coloured with everyone from the Beatles to Björk is capped with Asobi Seksu. “You look at the list and it’s legends, and then there’s us. It’s kind of comical. We were honoured.”

Despite all the hand wringing and questions about the band, it’s clear Asobi Seksu has enough problems worth solving to remain intriguing. Chikudate is able to internalize the conflict. “I take it as a compliment, that people are left with more questions than answers.” She adds, “I guess it’s not a bad thing, being difficult to define.”

Comments Off on Interview: Asobi Seksu

Live Review: Hey Ocean!/Current Swell/The Zolas

Originally appearing in Beatroute Magazine.

HeyOcean14

Photo by Paul Boechler

To talk about Hey Ocean! is, inexorably, to talk about Vancouver music as a whole. Being cogent of this fact, the band decided to put a tidy little cross section of the scene up on the marquee at the Vogue on December 18.

The Zolas started the night and set the bar incredibly high. The brainchild of Zach Gray and Tom Dobrzanski playing their first show in Vancouver (despite it being their hometown) added an effortlessness and charisma that only enhanced some undeniably strong tracks off their latest, Tic Toc Tic. Current Swell sought to clear the bar and did so admirably, their neo-blues stylings meshing oddly well with the bookending acts. Their tight set was a credit to a sound they have nurtured to maturity over three albums. Hey Ocean! took to the stage with the buzz of the crowd hovering at a dull roar and managed that energy expertly with a commanding performance.

The show was a worthy milestone in each of the bands’ respective legends. Gathering three of the most talked about Vancouver (and Victoria) bands under one roof for a pre-Christmas show was exactly the no-brainer it seemed. The Zolas racked up a truckload of new fans, Current Swell cemented their status as one of the west coast’s most creative and entertaining group of musicians, and Hey Ocean! used their time at the Vogue to prove what most of the crowd already knew: that their talents are every bit as deserving of headliner status as any band working today. Add in guest appearances by Said the Whale and Dan Mangan and you have an almost parodic number of Vancouver’s finest in one room (and, sometimes, singing into one mic).

Hey Ocean! is, at this point in their career, living up to every shred of hype and promise they have cultivated. They can do seemingly anything; whether imbuing old songs with new meaning and dimension (“Fish,” “Fifteen Words”) or cranking out some remarkable new material (“Last Mistake”), they’re a young band looking like consummate professionals. They capped off a night of music that made it patently clear that any discussion of Vancouver music omitting the three acts is incomplete, and that they are all more than worthy of being remembered as highlights of the closing decade.

Comments Off on Live Review: Hey Ocean!/Current Swell/The Zolas

Show Review – Shout Out Out Out Out December 8, 2009

ShoutOut0001

With a bass output usually reserved for dubstep shows and Honda Civics, the Edmonton electro sextet Shout Out Out Out Out pounded out a tight set at the Rickshaw Theatre with precision.

Touring behind their latest effort Reintegration Time, the inordinately personable Albertans returned triumphantly to Vancouver to a voracious crowd dedicated to dancing just as much as the T-shirted artists onstage.

Seemingly determined to master the timely high kick and to steal the dance-rock cowbell crown from the Rapture, Shout Out Out Out Out tore through the vast majority of their catalogue to the delight of a packed theatre. Their short career was duly represented, with old favorites, like “Nobody Calls Me Unless They Want Something,” and some promising new numbers, like the stellar “Bad Choices.”

The heat was off in the Rickshaw, making sure the crowd and the band stayed bundled up in heavy coats, but by mid-way through the set, Shout Out Out Out Out made sure we all warmed up.

2 Comments on Show Review – Shout Out Out Out Out
Categories: Official Works

Vancouver Choice Cuts 2009

Originally in Beatroute Magazine. Choice Cuts is a list of the top local albums of the year, and these are the ones I did reviews for.

Pink Mountaintops – Outside Love

pink

Always defying shoegaze, the ever-inventive Pink Mountaintops issued the intensely layered and evocative Outside Love to a storm of praise. Equal parts rousing and introspective, late album standout “The Gayest of Sunbeams” closes out one of the year’s best with a track that’s as infectious as it is skillfully written.

You Say Party! We Say Die! - XXXX

4FF39FE28F4A2162CA302C19ABB647


The Abbotsford five-piece has finally decided on a sound, ditching dance-punk textures for a little more shine and gloss. Becky Ninkovic’s vocals ring clear over their tested formula of charismatic guitars and punchy beats. Howard Redekopp lends his expertise to craft a sound that remains fresh and vital.

Yukon Blonde  - Everything in Everyway

l_fbbaea50948d22d503086ff38706d788

A massively promising EP from an already exciting band, veteran go-to opening act Yukon Blonde showcase their talents in this new offering. Thesis track “Nico Canmore” showcases a method and energy that excites and leaves you wanting more. The band formerly known as AlphaBaby is all grown up.

Comments Off on Vancouver Choice Cuts 2009

CD Review – Weezer’s “Raditude”

Originally in Beatroute Magazine.

If all work and no play made Jack a dull boy, all work and no sex made Rivers Cuomo a completely different person. Such are rationalizations I have to make when listening to Raditude, the new album from a band that purports to be Weezer. I say purports, because since Rivers made a vow of celibacy, I can’t recognize this new band. Even worse, he has said that the vow improved his songwriting. Can we infer that he regards Pinkerton as bad songwriting, and everything since Make Believe the new Weezer aesthetic? I hope not.

The album is one landmine after another. It meanders through inconsequential pop-rock devoid of innovation, products of a hit machine that has veered into the painfully cynical with gusto. Throwing Lil Wayne onto a track seems terribly desperate in the context of the depressingly uncreative album preceding the inexplicable “Can’t Stop Partying” mid-way through.

The train finally flies off the rails at the incredibly bad “Love Is The Answer”, a song I have to believe a Green Album Cuomo would have mocked without mercy. There’s a Brad Neely comic strip with that song’s title as the ironic punchline, the character’s in the strip writhing in the agony of the sentiment verbatim. The effect is similar here.

As if the wound needed salt, the two least offensive songs on the record (the Daniel Johnston evoking “Run Over By A Truck” and the catchy “Prettiest Girl In The Whole Wide World”) are relegated to a more expensive deluxe version of the album.

It’s awful that an album made after Chris Cornell’s Scream evokes nothing but memories of it. It’s the kind of album that makes it required that fans denote their value in terms of “I like most of their stuff except Raditude”, a cheesy afterthought stapled to the underside of a storied career. Skip it.

weezer-raditude-aa

Comments Off on CD Review – Weezer’s “Raditude”

Stuff We Like/Stuff We Hate (Dec.1, 2009)

Couple of things I did for Stuff We Like in Peak Arts and Stuff We Hate in Peak Humour last week.

Stuff We Like:

4. Avatar: The Last Airbender

appa

Risking ridicule, I am going to call Avatar one of the best television programs of the last decade. The show follows a messianic monk named Aang fighting to bring balance to a world being conquered by the Nazi-esque Fire Nation. Still with me? This show won a Peabody Award for “Unusually complex characters and healthy respect for the consequences of warfare.” The action, relationships and compelling exploration of morality and power makes it the Sopranos of American animation. Never condescending and unrelentingly entertaining, the series I watched (entirely) three times in one month is set to be ruined by M.Night Shyamalan in July.

Stuff We Hate:

2. Your boyfriend

phpThumb_generated_thumbnailjpg

That’s right, I hate your boyfriend. That bastard could be giving his kidney to an amputee, pediatric cancer patient with alopecia and no nostrils and I would still fire my ocular angst-ray at him every time he was around. The mere thought of him snuggling and watching Grey’s Anatomy with you while I go home to my Spaghetti-Ring® brand canned pasta and sad-clown pornography makes me want to punch a litter of kittens. I would tactically nuke his house and treat you to a night at Boston Pizza if I could just make the tears stop.

Comments Off on Stuff We Like/Stuff We Hate (Dec.1, 2009)

Big Man On Campus: Final November 30, 2009

A Fistful of Churro (or “Individually Wrapped, Microwaveable Denouement”)

III. BBW (D+D Free)

Aretha Franklin was a fat, fat woman with the right idea, asking for a little respect years before obesity became as common as chairs. I doubt she and Dr. King were concerned with fat-ass rights, but would nevertheless be surprised to learn people are judged less on the content of their character than the number of chins they have.

I’m gonna give one to the hardcore feminist element out there: ladies, you are far better at having your fatness held against you than men. If fat dudes are busy being a punchline, you are truly out back being tarred, feathered, cleaned up and tarred all over again into infinity, like a hungry hungry Sisyphus who shops at Pennington’s. The table is indeed tilted, but I am of the opinion that the majority of the incline comes from other women heaving your gut onto said table.

As a grown man raised by adolescent women, I feel I feel like I have reasonable authority to say that girls are sometimes goddamned horrible to each other. Often the picture of sorority, the velocity in which a group of women (especially the teenaged sort) can become a pack of rabid hyenas in yoga pants scares the hell out of me. For this, I blame Cosmopolitan Magazine and Dove soap.

Once an icon of Liberation politics, it’s now worse than a rag and is actively doing damage. The most intelligent women I know fawn over this masochistic monthly aneurism like it’s the King James, with all the shame of a someone picking up a Playboy “for the articles”. With every cover stopping just short of calling bulimia “the economical option” and every feature reminding you just how heavy and alone you are, it’s a wonder there are any women out there who stop crying long enough to say they won’t go out with me.

Worse still is Dove soap. Not even original enough to come up with effective marketing campaigns, they just vied for the same voodoo magic that slaps women with mass (thats kilograms and extensive) discrimination and then picks them back up, strokes their ego and sells them a bar of palm oil. Because remember, all women are beautiful enough to buy their product, so long as they aren’t the ones harvesting the resources to make them for eleven cents a week. They aim to keep you in a grey zone. Too fat to be beautiful, but beautiful enough to stay fat. It’s a dignity fire sale and everything must go!

It gets worse, ladies and gentlemen. An entire plotline in the Denis Leary vehicle Rescue Me was devoted to a member of the firehouse being involved in the most fulfilling relationship of his life and being unable to tell his best friends lest they man the harpoons. Recent Oprah-bait indie-flick Precious lines the unfunny reality of an under-loved fat girl with a helping of morbid obesity to go along with her domestic abuse and boiled pig knuckles.

Movies and television take shots at you. Magazines seem to hate you. Music ignores you (with the notable Fat-bottomed and Big-butted exceptions). What about the opposite sex? Well, even I, your intrepid Malcolm XL, cannot profess preference for the pillowy-soft. If that sounds hypocritical, it’s because it is. In my defense, I learned what a gunt was when I around twelve and was raised by T.V. to fear what looks like a butt on the wrong side of a pelvis. What the eye does not admire, the heart does not desire, I’m afraid. I am as afflicted as those lingerie shopping at the Hammock Depot. I think even Hank Moody would think twice.

Bleak? Not in the slightest. We can change it ladies. We just have to throw our bellies over our shoulder like a continental soldier and say “no”. Don’t accept being cast as the “fat friend” and the “uppity cock block”. Stop buying that which would keep you down.

And most importantly, stop the chorus of “sock it to me”.

IV. The Dom DeLuise Curve

Click To Embiggen

Click To Embiggen

Fat people are always funny. Funny and smart. Sort of. Sometimes. Like spots on a leopard, or (more accurately) the way three-toed sloths just let lichen and moss grow on their fur. Camouflage is used to distract a predator from the prey beneath it, and that’s why your token fat friend is constantly cracking jokes about Liza Menelli and his ass.

As you can see from the chart, the fatter you are, the funnier you are/have to be. Then, there is a giant valley where you are both fat and not very funny. Your being fat is funny, but now people are laughing at your rolls and not your anecdotes an mannerisms. This is doing it wrong. Louie Anderson is doing it wrong, as is Roseanne Barr (but oddly not John Goodman). Notable exceptions to this chart are Seth Rogen circa 2009 (who is still kind of funny but was in a couple of downer movies) and Margaret Cho (who got skinny and was never funny to begin with). If the chart extended all the way to heaven you would find Belushi and Farley towering above it, their laughter causing great ripples in their fat, showering us mortals with doughnuts and cocaine.

The logic, I guess, is that it’s hard to put down someone when they are shoving some rapier wit down your throat. It’s a life spent on defense and the only thing our parents could recommend was to laugh with them when they laugh at you. There is a lot of wisdom in that. It’s very disarming to stare someone dead in the eyes and laugh like a lunatic when they call you portly. Act like the Joker just sprayed you with novocaine and they may never talk to you again. The same could likely be achieved with a smart head-butt to the bridge of their nose too, but it all depends on your goals I suppose.

To explain this better to you, oh skinny audience, is to go back and watch 8 Mile. Eminem knew if he beat his audience over the head with verbal schadenfreude his hip-hop antagonist would have no rhymes to roast him with. And it worked. And then he won an Oscar. It is what it is.

V. Crotch Erosion (and The Fat Man Tug)

The easy way to find out if people think they’re fat is to watch their mannerisms. Even skinny people sometimes think they’re fat, and they do some of the same things: constant checking of mirrors out of a lack of confidence and not vanity, self-deprecation in the hopes that someone will pay them a compliment, eating to excess. That last one is, again, counter-productive, but indicative of the turmoil.

One thing I have observed is the Fat Man Tug. Cellulose is not gender specific, but Fat Man Tug rolls off the tongue better than Overweight Person Tug, and doesn’t sound near as sexual. The Fat Man Tug is the almost neurotic propensity for a fat person to tug at the bottom of whatever article of clothing they currently have attached to their torso. Much like the act and ritual of lighting a cigarette is integral to the experience, the familiar action ensures no jersey cotton is stuck between rolls and to look down on a shirt being tugged for an instant gives the illusion of weight loss. The fabric will relax back into it’s shape, but for that instant it gives the Tugger a flat stomach. If this sounds pathetic it’s because it kind of is.

Another is Crotch Erosion. The number one cause of pant turnover and friction burn in the obese is the rubbing action of oversized thighs. Like two holiday hams trying to light a fire after being stranded on a flabby island, this action will plague a fat person and eventually lead them towards tights, pantyhose and briefs as a matter of comfort and economics. Every pair of pants I have ever owned has worn out in this fashion, and walking in the summer time is met with a similar reaction to someone asking me if they could pour magma onto my nethers.

This really doesn’t go anywhere, but now you’re thinking about my crotch, which is funny to me.

VI. Outbound Pachyderm

It was inevitable that there would be a time where I would stop pretending this was all about me. The fact is this project has been all about discrimination based on a ridiculous (and hilarious) physical attribute. Because they’re all ridiculous. Fat, skinny, red, white, yellow, black, purple, Objectivist, Juggalo and Communications Major. All silly little things dividing us and making sure we lose sight of the fact that we’re all human (or possibly Cylon). People embattled against each other will always be soldiers in a very profitable war. It’s particularly arrogant to believe that any such characteristic is diminishing because that makes it unique. Do you think fat people are a new thing? Do you think they were always inferior?

I have purposely avoided conclusions in the run this project because there never will be one and conclusions are hard and require thought and hard work. Be it political, racial, fashion-forward or ass-backwards people will always find a way to separate and disparage others. It’s a big game, an Algonquin Round Table of suck and hate and one-upmanship that nobody is winning.

I end nearly all of these with a fist in the air, a call to rally around kindness and tolerance and blah blah blah. Vigils and protests and petitions and calls to action never work because though the fat might be the embodiment of sloth, this is only the application of a general malaise to a visible (and I mean damn visible) group. It has to be individual. Choose to not think about whoever is around you in terms of difference, but in terms of what is the same.

I’ve lost 10 pounds since I started this project and I have never been hungrier.

Comments Off on Big Man On Campus: Final

The World’s Most Boring (and Most Entertaining) Fundraiser November 16, 2009

Comedy Group is Gaming For The Greater Good

For the third year, a Victoria sketch comedy troupe is set to play the world’s most boring video game for as long as they’re paid to do so, and they’re doing it for the kids.

Staring at this for over 100 hours. For the kids.

Staring at this for over 100 hours. For the kids.

LoadingReadyRun, the Victoria-based geek comedy group starts their third annual Desert Bus for Hope campaign, a fundraiser for the Seattle-based Child’s Play Charity, this Friday. The charity, started by web-cartoonists Jerry Holkins and Mike Krahulik of the popular strip Penny Arcade, raises funds for children’s hospitals around the world, including nine in Canada. It donates over one million dollars yearly. Contributors can choose which hospital to contribute to, which include the B.C. Children’s Hospital, Victoria General Hospital and the Alberta Children’s Hospital. Funds collected will go towards general cash donations and video games for long term pediatric patients.

To raise the funds, LoadingReadyRun will play a game designed to be terrible. Desert Bus was intended to be a part of Penn & Teller’s Smoke and Mirrors for the Sega CD. The game was never released, but it received new life after being leaked on the internet. In Desert Bus, players drive a bus from Tuscon, Arizona to Las Vegas, Nevada in real time. There are no enemies, obstacles or passengers. The alignment on the bus is slightly off, so players cannot simply tape down the accelerator as they may drive off the road in an entirely anti-climactic “crash”, resulting in their being towed back to their origin – in real time. The most exciting part of the trip occurs hours in when a bug splats on the window. Upon reaching their destination, a player receives one point, turns around, and heads back to the other way, an endless loop of boredom.

The game was designed to be a response to Janet Reno and Hillary Clinton, then Attorney General and First Lady and their demonization of explicit video games, a battle the future Senator Clinton would continue to the present day. Senator Clinton was instrumental in the media firestorm following the “Hot Coffee” scandal surrounding a pornographic rhythm game cut from the production version of “Grand Theft Auto: San Andreas”, but uncovered by user modifications.

In his daily podcast, Penn Jillette discussed the reasoning behind the game in detail. “We were planning on giving a very lavish prize for the person that got the highest score[…]like a hundred points. So 800 hours of playing this. We were hoping that groups of people, like fraternities and stuff would play”.

The marathon is endorsed by both Penn and Teller, who both donated and contacted the team.

Last year, the group drove for 108 hours and raised $70,423 for Child’s Play. Driving in shifts and rallying morale with the oft-repeated slogan of “For The Children”, the group aims to beat that number this year.

The marathon will be broadcast live. According to LoadingReadyRun co-founder Paul Saunders, “The mixture of generosity and spite is a really powerful thing.” Aside from straight donations, last year’s event was buoyed by auctions through the live chatroom, requests for group karaoke over the live webcam, and even donation bribes in exchange for sending LoadingReadyRun member and Event Coordinator Matt Wiggins to multiple showings of “Twilight” against his will.

To view the telethon, donate money and for more information, visit DesertBus.org. It starts Friday, Nov. 20.

3 Comments on The World’s Most Boring (and Most Entertaining) Fundraiser

The Fat Man Cometh November 12, 2009

Entertain me, fat boy!

That’s what you’re all thinking. Little do you know, my friends, you’re on fat guy time now. And that means you wait until somebody brings whatever you want to you. It’s sometimes a long wait.

So where is Big Man On Campus? Where did it go? Well, it’s on vacation.

For those of you that picked up The Peak this week, you may have seen a little doo-hickey in the corner of the funny pages:

Love Handles

Thats right, ladies and gentlemen, a feature!

See, what happened to BMOC was very similar to what happened when Trey Parker took over all the creative duties on South Park and Matt Stone just started insulating him from all the other bullshit: it got a wee bit serious, politics all peppered into the scatalogical. This isn’t a value statement, it’s just seems appropriate to explain my point.

See, the talented and sexy John Morrison III and I decided I had gone a little too far up my own ass (my words, not his) for the Humour pages. And he was definately right: Weapons of Mass Delicious marked a turn for the run ( I say that like it has been some epic amount of time) where things got a little bit deeper and started sewing in some thought with the fat jokes.

Not to worry: the next part of the run (BBW, D+D Free) was, I think, my funniest article. But it was also the most serious. Too serious, we decided, for the Humour pages.

So, it is with great pleasure that I announce that in the coming weeks, the very fetching Stacey McLachlan has been kind enough to give the project a home in Peak Features.

And because you are so cool, I want to give you a little preview. Watch this space, friends. It’s all happening soon. We’ll have an army pretty soon, all dressed in bulky clothing, shouting my words from the streets to the people who matter! Like this:

zz4a8c9874

Best,

Clinton Hallahan

Aretha Franklin was a fat, fat woman with the right idea, asking for a little respect years before obesity became as common as chairs. I doubt she and Dr. King were concerned with fat-ass rights, but would nevertheless be surprised to learn people are judged less on the content of their character than the number of chins they have.
I’m gonna give one to the hardcore feminist element out there: ladies, you are far better at having your fatness held against you than men. If fat dudes are busy being a punchline, you are truly out back being tarred, feathered, cleaned up and tarred all over again into infinity, like a hungry hungry Sisyphus who shops at Pennington’s. The table is indeed tilted, but I am of the opinion that the majority of the incline comes from other women heaving your gut onto said table.

Comments Off on The Fat Man Cometh

A Delightfully Tipsy Response to Generation Why? November 6, 2009

Please excuse the slapdash nature of this response. I am privileged to know the filmmaker in question, the lovely Brendan Prost, so it seemed a little impersonal just to do a review, and besides, who the fuck am I to judge, right? Objectivity is out of the question, so this piece will be formatted as a hybrid collection of thoughts and response directly to an auteur as talented as he is short (which is to say, very).

I.The Skinny

Generation Why? (from here on referred to as GW) is ostensibly a movie about rebellion. Not the wet slap rebellion of adolescence, absent the multicolored hairstyles and Juggalo face paint. It is more a rebellion at an age where rebellion is seen as not just juvenile, but pathetic. Patience is relatively boundless while a person is in high school with a society at large conditioned to expect a certain degree of ridiculousness out of a person aged 13-19. GW attempts to understand an the disconcertingly immediate change in expectations following the graduation from that age bracket, and is fairly effective in doing so. However, I am of the opinion that that is not where the greatest philosophical strength of the film lies. I’ll get back to that.

1 Comment on A Delightfully Tipsy Response to Generation Why?

Interview – Eleanor Friedberger of The Fiery Furnaces November 3, 2009

Going away, but not on vacation.

Eleanor Friedberger has been away for some time and has come back with a cold. The female half of the brother-sister duo the Fiery Furnaces talks to me just having returned from a long stint in Europe touring behind their seventh studio album, I’m Going Away. While the album starts with a title track and ends with the song “Take Me Round Again,” Friedberger is hesitant to assign the music parallels to her life touring the planet. 

“That’s certainly a nice way to think of it,” she says, but insists that the album was created with no thematic imperative. “We wanted to make a record that people have more fun making their owns stories for.” 

While every album represents a unique sound, Friedberger calls it the first equally collaborative effort in their catalogue. “The way we first started was I was telling Matt [Friedberger] a story, and we made up a song around that story. It kinda changed from him helping me make music to me helping him.” In her mind, the process has come full circle. “Now it’s kinda like we’re helping each other.” 

That philosophy of new songwriting approaches led to a series of intriguing projects that are now on the horizon for the band. In May, a post on the Fiery Furnaces blog put out a call to fans for “deaf descriptions,” for what they thought the new album would sound like without having heard it. The plan was for the descriptions to be turned into an album to be released simultaneously with I’m Going Away. Instead, they have been immortalized on the Fiery Furnaces website.

“I almost can’t read them because I feel overwhelmed and embarrassed because people spend so much time on something that has to do with us.” She continues, “It’s very flattering. It show so much about people who like our music, they’re so creative themselves.” Another project was dual cover albums of I’m Going Away, with all the songs redone individually by the Friedbergers. Eleanor says the albums are being mastered for an upcoming release. 

“The cover record is something I have wanted to do for a long time.” She credits the idea to being sometimes unable to recall how a song is played and making up new songs when she practices her singing. “I thought it would be funny to make a record, like a fake, folk ‘60s record called Eleanor Friedberger Sings The Songs Of The Fiery Furnaces. As if I hadn’t sung them all already.” She goes on to say her songs are mostly her vocals accompanied by guitar and Matthew’s are mostly his vocals accompanied by piano. These plans were joined by yet another projects, a so-called “silent record.” 

“We’re going to be putting out a book, but we’re calling it a ‘silent record’ because it is going to be a book of music.” The book, which will include sheet music, lyrics and graphic notation for improvisation, will hopefully be put out in both record and book stores. Between all these projects, turning shows into rallies for health care reform in the United States, a U.S. and Canadian tour and plans to return to Europe, the Fiery Furnaces may indeed need to go away for some rest in the near future. 

The Fiery Furnaces will be performing at the Red Room (Vancouver) November 17.

As seen in Beatroute Magazine.

Comments Off on Interview – Eleanor Friedberger of The Fiery Furnaces

CD Review – The Flaming Lips’ “Embryonic”

All twelve of the Flamings Lips’ albums are worth throwing into a CD player (or three) and Embryonic continues this long tradition. Wayne Coyne and Co. have made a career out of thrusting the word “safari” into your brain while you listen to their music and are rightly known for augmenting their neon aesthetic with a stage show to match. The aural backflips and occasional electronic dissonances that have characterized much of their late career come to a sharp point on their latest LP.

While never recapturing the flagrant abuse of standards they displayed during their Zaireeka days, the Fearless Freaks have nonetheless attempted to recapture that spirit, with Embryonic making their output since 1999 look almost accessible. With songs running the gamut from intensely listenable to merely damned interesting, Embryonic exhibits their unique flair for turning the improbable into the improbably great. Karen O. making animal noises over speakerphone mid-way through the album doesn’t even sound out of place.

Embryonic is the Flaming Lips high on maturity. It is the logical, measured progression of themes they have experimented with for years and is more than worth the time and effort it demands.

Comments Off on CD Review – The Flaming Lips’ “Embryonic”

Big Man On Campus: Week 3 – Weapons of Mass Delicious November 2, 2009

Oh, what a First World problem we have, ladies and gentlemen! A billion people starving to death and this guy goes on and on about ingesting too many calories. Maybe if this rotund bastard ate half as many avocado rolls and gave the money he saved to some African dictator to fritter away on alligator skin AK-47 holsters and Ricin, the world would be a better place.

See what I did there? I trivialized the problems of an entire continent in a single sentence. It wasn’t even that hard to do. What is hard is to keep the static down long enough to fix problems instead of pointing fingers.

That’s what we’re here to do, like a hilariously paunchy Mohandas Ghandi. Keep that in mind, fat-challenged folk. We don’t bother you about your elbows being sharp like knives, step off our many chins.

That said: fat people, your fatness is only mostly your fault! It’s also sort of your food’s fault!

See what I did there? I made you think I was being contentious and then stuffed an accusatory finger into the face of Ronald McDonald. But it’s true, the food around us is by-andlarge pretty terrible. If I had a nickel for everything I eat in a day that could contribute to my contracting cancer, or a dime for every unsustainable foodstuff I buy, I could pay for gastric bypass surgery and stop writing this column. But sadly, carcinogens ain’t currency.

We live in a culture of bad eating. This is not to say what we’re eating isn’t awesome; I defy a vegetarian to prove to me that a spinach and pine nut vinaigrette salad is more delicious than a rack of fall-offthe- bone pork ribs in a honey garlic sauce so thick you could use it to, well, eat ribs with. But nobody in their right mind would think that the gratuitous consumption of meat, sugar, and salt is good for you. Prophet Atkins tried that and died of cardiac arrest. That’s not a joke, it’s just funny. The secret is that hardly anyone thinks meat and candy translate into ripe old age. Our options are just a little limited.

High fructose corn syrup, processed sugars, trans-fat, MSG, Little Ceaser’s Hot-and- Readys, salt-water taffy in all the colours of the rainbow, Pez. . . . The things that are worst for us are available, cheap, and delicious. Bad food is pushed onto us from the powers that be, coating us in a film of manufactured suck we just cannot ignore, like a culinary Miley Cyrus. Our food supply has been designed for efficiency and in so doing we feed poisons the things that feed us. My body is under assault and the chemicals in these foods still have not given me sweet claws that I may bolster with adamantium.

Organic is a sham. You pay through the nose and have to choose which couple billion or so more people on Earth you dislike most and want to starve (you better watch out, Switzerland). My pathetic undergrad bank balance can’t suffer the hit of market fresh produce and cruelty-free meats. My hair will likely fall out on it’s own and I could care less to speed that process up by not eating anything with a heartbeat. Things taste best if they at one time had a nickname and friends to mourn their passing.

You’re surrounded, brothers of the blubber. Your food supply has gotten so far outside your control that you can’t help but do harm no matter what you do. Whether to yourself or others, eating is now an act of cruelty. It’s a tough choice between Jimmy Dean’s Sausage Wrapped Chocolate Sausage Rounds and tofu, and likely will be until cannibalism becomes socially acceptable.

Holy shit. Cannibalism! I just solved all our problems!

Comments Off on Big Man On Campus: Week 3 – Weapons of Mass Delicious

Big Man On Campus: Week 2 – Weapons of Mass Delicious October 27, 2009

Oh, what a First World problem we have, ladies and gentlemen! A billion people starving to death and this guy goes on and on about ingesting too many calories. Maybe if this rotund bastard ate half as many avocado rolls and gave the money he saved to some African dictator to fritter away on alligator skin AK-47 holsters and Ricin, the world would be a better place.

See what I did there? I trivialized the problems of an entire continent in a single sentence. It wasn’t even that hard to do. What is hard is to keep the static down long enough to fix problems instead of pointing fingers.

That’s what we’re here to do, like a hilariously paunchy Mohandas Ghandi. Keep that in mind, fat-challenged folk. We don’t bother you about your elbows being sharp like knives, step off our many chins.

That said: fat people, your fatness is only mostly your fault! It’s also sort of your food’s fault!

See what I did there? I made you think I was being contentious and then stuffed an accusatory finger into the face of Ronald McDonald. But it’s true, the food around us is by-andlarge pretty terrible. If I had a nickel for everything I eat in a day that could contribute to my contracting cancer, or a dime for every unsustainable foodstuff I buy, I could pay for gastric bypass surgery and stop writing this column. But sadly, carcinogens ain’t currency.

We live in a culture of bad eating. This is not to say what we’re eating isn’t awesome; I defy a vegetarian to prove to me that a spinach and pine nut vinaigrette salad is more delicious than a rack of fall-offthe- bone pork ribs in a honey garlic sauce so thick you could use it to, well, eat ribs with. But nobody in their right mind would think that the gratuitous consumption of meat, sugar, and salt is good for you. Prophet Atkins tried that and died of cardiac arrest. That’s not a joke, it’s just funny. The secret is that hardly anyone thinks meat and candy translate into ripe old age. Our options are just a little limited.

High fructose corn syrup, processed sugars, trans-fat, MSG, Little Ceaser’s Hot-and- Readys, salt-water taffy in all the colours of the rainbow, Pez. . . . The things that are worst for us are available, cheap, and delicious. Bad food is pushed onto us from the powers that be, coating us in a film of manufactured suck we just cannot ignore, like a culinary Miley Cyrus. Our food supply has been designed for efficiency and in so doing we feed poisons the things that feed us. My body is under assault and the chemicals in these foods still have not given me sweet claws that I may bolster with adamantium.

Organic is a sham. You pay through the nose and have to choose which couple billion or so more people on Earth you dislike most and want to starve (you better watch out, Switzerland). My pathetic undergrad bank balance can’t suffer the hit of market fresh produce and cruelty-free meats. My hair will likely fall out on it’s own and I could care less to speed that process up by not eating anything with a heartbeat. Things taste best if they at one time had a nickname and friends to mourn their passing.

You’re surrounded, brothers of the blubber. Your food supply has gotten so far outside your control that you can’t help but do harm no matter what you do. Whether to yourself or others, eating is now an act of cruelty. It’s a tough choice between Jimmy Dean’s Sausage Wrapped Chocolate Sausage Rounds and tofu, and likely will be until cannibalism becomes socially acceptable.

Holy shit. Cannibalism! I just solved all our problems!

1 Comment on Big Man On Campus: Week 2 – Weapons of Mass Delicious

Big Man On Campus: Week 1 – Like Smoking, But Less Cool October 19, 2009

This is the best picture of me that has ever been taken, bar none.

This is the best picture of me that has ever been taken, bar none.

“The problem is I don’t want one drink. I want 10 drinks.” — Leo McGarry.

I wasn’t fat until someone told me I was. I just finished what was on my plate and went and fiddled with my Mighty Max playset.

I remember the first time it happened. I can’t, however, remember the last time. A boy in my class, let’s call him “Douchebag,” came up to me and stuck his index finger nearly into my belly button. Rather than elicit the standard Pilsbury “hoo-hoo” and grin like a banshee, I elected a more direct approach: I grabbed his wrist and pushed him to the ground. Douchebag didn’t like this and inquired, “Why did you do that, fat-boy?”

Fat boy. Blubber-nuts. Tons-of-fun. Fancy Feaster. Harpoon-proof. Rosie O’Donnell’s left cankle. I’ve heard them all, ladies and gentleman. They don’t faze me now, but back when I traded piggyback rides for packs of Soda-licious they were the be-all-endall my existence. Tell your kids to leave tubby alone because while I think most of us would thank them for it now, back then it required the constant treatment of cry-abetes.

That said, I can’t remember the last time someone called me fat, even from a place of mirth. Maybe it’s just me?

It sneaks up on you. It’s not like a lard baptism or anything — all of the sudden bathed in the fatness of generations before you. It is a gradual process. At some point, you accept it and either change yourself or make it a part of your life. While the calorie-counters are calculating the cost of their candied cranberries at Christmas, I’m cracking the crust off another crostini. Sure, there have been Thanksgivings where I have taken my third helpings in my room, silently weeping in the dark and supplementing the lack of a salt shaker with my pickled tears, but that wasn’t this Thanksgiving.

What it comes down to is that habits like those are self destructive with any substance. I don’t understand people who leave half the bun on the plate. I don’t understand people who like taking the stairs. I don’t understand why people don’t take a second helping. No, I don’t want one Fudgesicle. I want 10. Why would you want this feeling to go away?

In a society where the vast majority of our food supply is created to fulfill evolutionary tendencies toward unsavory savories (sweet and salty are rare in nature, and abundant in a host of delicious things made these days), these are dangerous habits to have. People have thrown away portions of their lives on worse things than food, but none so culturally acceptable. The biggest hurdle for a wannabe fat-man ex-pat is what has proven to be the fattest part of the fattest people: their brains.

I am going to continue to call us fat people. Tubby people. I am going to call us every word that makes us different. If you are offended, if you would like me to say “overweight” or “differently insulated,” or some other such nonsense, the ghost of Mr. George Carlin would like a word with you. I’m taking them back. Because the first step to no longer being fat, or being fat and happy, is to get our minds and habits in line with our waistlines.

And brothers and sisters, I hope you join me.

Bonus content: I now fear skate bowls.

3 Comments on Big Man On Campus: Week 1 – Like Smoking, But Less Cool

Big Man On Campus: Week 0 – I, Fat Guy October 14, 2009

Ladies and gentlemen, I just broke a chair.

As I was sitting here waiting for inspiration, I took a good long lean back in my chair to admire the blank space above my monitor, and faster than you can say “ass over tea kettle,” I’m on my back, my form draped over the busted remains of my chair, a fat man on a fulcrum.

I am a fat dude. These things just happen.

As I lay, broken in body and spirit, pondering the structural integrity of bargain priced Swedish furniture, a thought occured to me. The danger of breaking furniture of any price probably doesn’t occur very often to people with “healthy” BMIs. There are probably a lot of things that don’t occur to them that may occur regularly to the calorically inclined.

Say I buy a dozen Krispy Kremes from some heartless fundraisers in the AQ and eat a few. Just a few though, I swear. I will keep the rest for later out of guilt. Ten minutes later, I think “Hey, these won’t be near as good tomorrow. They’ll be all stale! If I eat them all now and not have a donut for the next year, that’s only one donut a month. That’s pretty average.” I then proceed to bombard my pancreas with high-fructose corn syrup and my colon with saturated fats for the next 20 minutes, purring like a kitten the whole time. What type of mad man thinks this way?

Being fat isn’t just what you carry around your waist. Being fat resides in your mind and in your heart, and I don’t mean hardened arteries and a propensity towards stroke. Being fat is a way of life. It’s taking things in stride and coming out on the other side forgiving, but not forgetting. It’s learning lessons the hard way and coming out stronger. It’s spending the day looking for pants with just enough elasticity to be comfortable without sacrificing dignity.

Despite being a “growing problem,” the media presence of fat people has been relegated to ridicule and t-shirts denigrating our sexual desirability (I’m pulling for you, ladies). The North American obesity rate is skyrocketing with the readily available and readily delicious fast food. It’s the hot ticket, and hell if I wasn’t into it way before it was popular. I’m way into the scene and have the thighs to prove it. I’m not ashamed of my lot. In fact, I revel in it; it’s made me the person I am today. I say it loud and proud: we’re here, we’re near, and we’re coming for your cookies.

Having said that, it’s time for me to take my leave.

In the next year of my life, I am going to take the first steps to distance myself from the only identity I have ever had: the fat dude. Exhibiting incredible foresight, I’m leaving it behind for my health. My knees are my new biggest fans. I want to go from Seth Rogen 2006 to Seth Rogen 2009. But on my way out, I want to give a little insight into the unique challenges and foibles of the new silent majority, having a little fun along the way.

We’re all in this together. One giant, love-handled, man-breasted mass of solidarity. Over the next few weeks, I hope you join me in throwing a solitary sausage-link finger defiantly towards the rampant thinocracy.

Just as soon as I get up out of this broke-ass chair.

A moment of silence for the dearly departed.

A moment of silence for the dearly departed.

1 Comment on Big Man On Campus: Week 0 – I, Fat Guy

Interview – James McNew of Yo La Tengo October 6, 2009

James McNew is talking to me from Durham, North Carolina where Yo La Tengo is set to play a show in support of their seventh full-length album, Popular Songs. While the band has had undeniable longevity and success over long history, critics are quick to point out a lack of mainstream notoriety. The album name seems in reference to that, but McNew disagrees.  “We didn’t think of the title as being a commentary on anything” he says. “I think we mostly just thought it was funny. It was appealing because it’s open to many interpretations, and I think we are happiest with anything that doesn’t just give you directions to what it means and what we mean by it.”

Georgia Hubley and Ira Kaplan started Yo La Tengo in 1984, making the band a quarter century old. McNew says existing through the span of five U.S. Presidents has not numbed him to his fortune.


“Are you kidding? This is my job! I get to do my dream job as my real job.” He admits, however, there are moments where this attitude escapes him, saying “there are moments in a day, when we’re on tour or in the studio or just working…where you feel like screaming. But it’s very easy to step back and look at the big picture.”

With a steady mix of longer, ten-minute plus epics and shorter rock tracks, Popular Songs stays true to the varied landscape Yo La Tengo songs are known for. “It would probably be a more efficient process if someone went home and wrote the songs by themselves and showed up to practice and showed us all how the new Yo La Tengo songs go. We would probably put out a whole lot more records that way.” McNew prefers the collective approach. “We basically just get together and play.” With an improvisational method like that, McNew values the relationship they have with longtime producer Roger Moutenot. “Its good to have a more objective set of ears with us to give us perspective.”

Whether the crowd at a show remains stoic (a prevalent characteristic of the modern “indie rock” concert) or is a little more animated, McNew has mixed feelings.  he jokes “if we’re playing something quiet and I hear someone talking, then I get mad. But if we play something loud, and everybody is too quiet, then I get mad too. There’s no pleasing me. I’m just happy there’s people there. God bless them for showing up.”

When talking about Yo La Tengo’s vast covers repertoire, he cannot say for sure what a band covering Yo La Tengo should sound like. “I don’t know. I think with all the liberties we have taken with other people’s songs we’re fair game.” He adds, “I did think it would be funny if all the people slighted on the ‘Murdering The Classics’ record got together and did a revenge album”.


McNew has fond memories of his time with the band, but finds it impossible to predict what the next 25 years of Yo La Tengo will bring. “Golly. I didn’t know what the first 25 years was gonna have.” He says, “I couldn’t tell you how the rest of the week is gonna go.”

As appearing originally in Beatroute Magazine.


Comments Off on Interview – James McNew of Yo La Tengo

Live Review – Sea Wolf/Sara Lov