The World’s Most Boring (and Most Entertaining) Fundraiser November 16, 2009

Comedy Group is Gaming For The Greater Good

For the third year, a Victoria sketch comedy troupe is set to play the world’s most boring video game for as long as they’re paid to do so, and they’re doing it for the kids.

Staring at this for over 100 hours. For the kids.

Staring at this for over 100 hours. For the kids.

LoadingReadyRun, the Victoria-based geek comedy group starts their third annual Desert Bus for Hope campaign, a fundraiser for the Seattle-based Child’s Play Charity, this Friday. The charity, started by web-cartoonists Jerry Holkins and Mike Krahulik of the popular strip Penny Arcade, raises funds for children’s hospitals around the world, including nine in Canada. It donates over one million dollars yearly. Contributors can choose which hospital to contribute to, which include the B.C. Children’s Hospital, Victoria General Hospital and the Alberta Children’s Hospital. Funds collected will go towards general cash donations and video games for long term pediatric patients.

To raise the funds, LoadingReadyRun will play a game designed to be terrible. Desert Bus was intended to be a part of Penn & Teller’s Smoke and Mirrors for the Sega CD. The game was never released, but it received new life after being leaked on the internet. In Desert Bus, players drive a bus from Tuscon, Arizona to Las Vegas, Nevada in real time. There are no enemies, obstacles or passengers. The alignment on the bus is slightly off, so players cannot simply tape down the accelerator as they may drive off the road in an entirely anti-climactic “crash”, resulting in their being towed back to their origin – in real time. The most exciting part of the trip occurs hours in when a bug splats on the window. Upon reaching their destination, a player receives one point, turns around, and heads back to the other way, an endless loop of boredom.

The game was designed to be a response to Janet Reno and Hillary Clinton, then Attorney General and First Lady and their demonization of explicit video games, a battle the future Senator Clinton would continue to the present day. Senator Clinton was instrumental in the media firestorm following the “Hot Coffee” scandal surrounding a pornographic rhythm game cut from the production version of “Grand Theft Auto: San Andreas”, but uncovered by user modifications.

In his daily podcast, Penn Jillette discussed the reasoning behind the game in detail. “We were planning on giving a very lavish prize for the person that got the highest score[…]like a hundred points. So 800 hours of playing this. We were hoping that groups of people, like fraternities and stuff would play”.

The marathon is endorsed by both Penn and Teller, who both donated and contacted the team.

Last year, the group drove for 108 hours and raised $70,423 for Child’s Play. Driving in shifts and rallying morale with the oft-repeated slogan of “For The Children”, the group aims to beat that number this year.

The marathon will be broadcast live. According to LoadingReadyRun co-founder Paul Saunders, “The mixture of generosity and spite is a really powerful thing.” Aside from straight donations, last year’s event was buoyed by auctions through the live chatroom, requests for group karaoke over the live webcam, and even donation bribes in exchange for sending LoadingReadyRun member and Event Coordinator Matt Wiggins to multiple showings of “Twilight” against his will.

To view the telethon, donate money and for more information, visit DesertBus.org. It starts Friday, Nov. 20.

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A Beach House in Onett November 15, 2009

From LargePrimeNumbers

There’s this house in the town of Onett. You see signs all around town, sometimes near signs like the one that says “Use the library more.” The signs tell you there’s a house for sale on the southwest side of Onett. It has a beautiful view of the lake, it says. Just inquire with the local real-estate agent, and he’ll sell you the house. If you go down southwest and find the house, you’ll see the blue-suited real-estate agent standing in the doorway. Talk to him, and he’ll offer to sell you the place for just $10,000. At this early stage of the game, that’s a hell of a lot of money. It’s earnable, of course. It’s just going to take some time. You earn money by fighting monsters. Kind of. Whenever you kill a monster, your dad deposits money into your bank account for a completely unrelated reason. Your neighbor Pokey claims this is possible because your dad borrowed a lot of money from his parents, “Maybe like a hundred thousand dollars, or maybe more!” You never find out how much it was your dad borrowed. However, the monsters in Onett aren’t strong enough for you to earn $10,000 without losing half your mind. Even so, what do you need the house for? You have a house — your mother’s house — up on the north side of town. The player who thinks within the game’s world will never have to buy the house.

It’s the breed of player most commonly referred to as a “gamer” that will need to buy the house. This gamer will come all the way back to Onett once he has enough money to buy the house. You can’t buy the house during the game’s ending, when you’ll no doubt have more than $10,000 in the bank, because the real-estate agent is gone and the door is locked. You can’t buy it past a certain point in the game, either, because once the endgame begins, Onett is invaded by aliens and plunged into eternal darkness until you kill the alien. If you want to buy the house, you have to come back at some reasonably early point in the game. When you buy the house, the real-estate agent takes your money and leaves the doorway. He runs all the way off-screen. You are then free to enter the house. When you go inside, you find that it’s a run-down shack with wooden floors and walls. A few boards are missing. With the power of its pixels, the game shows you that the mattress in the middle of the floor has a few springs popping up out of its fabric. The back wall of the house — the third wall, as it were — is missing, and we can see the lake in the distance. The fourth wall is already gone — that’s the wall through which we, the player, see our heroes standing in this dilapidated shack. We’re looking at, essentially, a house with two walls. This can be construed as what Itoi thinks of the videogame as a medium — it is a house with two walls.

Amazing.

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The Fat Man Cometh November 12, 2009

Entertain me, fat boy!

That’s what you’re all thinking. Little do you know, my friends, you’re on fat guy time now. And that means you wait until somebody brings whatever you want to you. It’s sometimes a long wait.

So where is Big Man On Campus? Where did it go? Well, it’s on vacation.

For those of you that picked up The Peak this week, you may have seen a little doo-hickey in the corner of the funny pages:

Love Handles

Thats right, ladies and gentlemen, a feature!

See, what happened to BMOC was very similar to what happened when Trey Parker took over all the creative duties on South Park and Matt Stone just started insulating him from all the other bullshit: it got a wee bit serious, politics all peppered into the scatalogical. This isn’t a value statement, it’s just seems appropriate to explain my point.

See, the talented and sexy John Morrison III and I decided I had gone a little too far up my own ass (my words, not his) for the Humour pages. And he was definately right: Weapons of Mass Delicious marked a turn for the run ( I say that like it has been some epic amount of time) where things got a little bit deeper and started sewing in some thought with the fat jokes.

Not to worry: the next part of the run (BBW, D+D Free) was, I think, my funniest article. But it was also the most serious. Too serious, we decided, for the Humour pages.

So, it is with great pleasure that I announce that in the coming weeks, the very fetching Stacey McLachlan has been kind enough to give the project a home in Peak Features.

And because you are so cool, I want to give you a little preview. Watch this space, friends. It’s all happening soon. We’ll have an army pretty soon, all dressed in bulky clothing, shouting my words from the streets to the people who matter! Like this:

zz4a8c9874

Best,

Clinton Hallahan

Aretha Franklin was a fat, fat woman with the right idea, asking for a little respect years before obesity became as common as chairs. I doubt she and Dr. King were concerned with fat-ass rights, but would nevertheless be surprised to learn people are judged less on the content of their character than the number of chins they have.
I’m gonna give one to the hardcore feminist element out there: ladies, you are far better at having your fatness held against you than men. If fat dudes are busy being a punchline, you are truly out back being tarred, feathered, cleaned up and tarred all over again into infinity, like a hungry hungry Sisyphus who shops at Pennington’s. The table is indeed tilted, but I am of the opinion that the majority of the incline comes from other women heaving your gut onto said table.

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A Delightfully Tipsy Response to Generation Why? November 6, 2009

Please excuse the slapdash nature of this response. I am privileged to know the filmmaker in question, the lovely Brendan Prost, so it seemed a little impersonal just to do a review, and besides, who the fuck am I to judge, right? Objectivity is out of the question, so this piece will be formatted as a hybrid collection of thoughts and response directly to an auteur as talented as he is short (which is to say, very).

I.The Skinny

Generation Why? (from here on referred to as GW) is ostensibly a movie about rebellion. Not the wet slap rebellion of adolescence, absent the multicolored hairstyles and Juggalo face paint. It is more a rebellion at an age where rebellion is seen as not just juvenile, but pathetic. Patience is relatively boundless while a person is in high school with a society at large conditioned to expect a certain degree of ridiculousness out of a person aged 13-19. GW attempts to understand an the disconcertingly immediate change in expectations following the graduation from that age bracket, and is fairly effective in doing so. However, I am of the opinion that that is not where the greatest philosophical strength of the film lies. I’ll get back to that.

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Interview – Eleanor Friedberger of The Fiery Furnaces November 3, 2009

Going away, but not on vacation.

Eleanor Friedberger has been away for some time and has come back with a cold. The female half of the brother-sister duo the Fiery Furnaces talks to me just having returned from a long stint in Europe touring behind their seventh studio album, I’m Going Away. While the album starts with a title track and ends with the song “Take Me Round Again,” Friedberger is hesitant to assign the music parallels to her life touring the planet. 

“That’s certainly a nice way to think of it,” she says, but insists that the album was created with no thematic imperative. “We wanted to make a record that people have more fun making their owns stories for.” 

While every album represents a unique sound, Friedberger calls it the first equally collaborative effort in their catalogue. “The way we first started was I was telling Matt [Friedberger] a story, and we made up a song around that story. It kinda changed from him helping me make music to me helping him.” In her mind, the process has come full circle. “Now it’s kinda like we’re helping each other.” 

That philosophy of new songwriting approaches led to a series of intriguing projects that are now on the horizon for the band. In May, a post on the Fiery Furnaces blog put out a call to fans for “deaf descriptions,” for what they thought the new album would sound like without having heard it. The plan was for the descriptions to be turned into an album to be released simultaneously with I’m Going Away. Instead, they have been immortalized on the Fiery Furnaces website.

“I almost can’t read them because I feel overwhelmed and embarrassed because people spend so much time on something that has to do with us.” She continues, “It’s very flattering. It show so much about people who like our music, they’re so creative themselves.” Another project was dual cover albums of I’m Going Away, with all the songs redone individually by the Friedbergers. Eleanor says the albums are being mastered for an upcoming release. 

“The cover record is something I have wanted to do for a long time.” She credits the idea to being sometimes unable to recall how a song is played and making up new songs when she practices her singing. “I thought it would be funny to make a record, like a fake, folk ‘60s record called Eleanor Friedberger Sings The Songs Of The Fiery Furnaces. As if I hadn’t sung them all already.” She goes on to say her songs are mostly her vocals accompanied by guitar and Matthew’s are mostly his vocals accompanied by piano. These plans were joined by yet another projects, a so-called “silent record.” 

“We’re going to be putting out a book, but we’re calling it a ‘silent record’ because it is going to be a book of music.” The book, which will include sheet music, lyrics and graphic notation for improvisation, will hopefully be put out in both record and book stores. Between all these projects, turning shows into rallies for health care reform in the United States, a U.S. and Canadian tour and plans to return to Europe, the Fiery Furnaces may indeed need to go away for some rest in the near future. 

The Fiery Furnaces will be performing at the Red Room (Vancouver) November 17.

As seen in Beatroute Magazine.

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CD Review – The Flaming Lips’ “Embryonic”

All twelve of the Flamings Lips’ albums are worth throwing into a CD player (or three) and Embryonic continues this long tradition. Wayne Coyne and Co. have made a career out of thrusting the word “safari” into your brain while you listen to their music and are rightly known for augmenting their neon aesthetic with a stage show to match. The aural backflips and occasional electronic dissonances that have characterized much of their late career come to a sharp point on their latest LP.

While never recapturing the flagrant abuse of standards they displayed during their Zaireeka days, the Fearless Freaks have nonetheless attempted to recapture that spirit, with Embryonic making their output since 1999 look almost accessible. With songs running the gamut from intensely listenable to merely damned interesting, Embryonic exhibits their unique flair for turning the improbable into the improbably great. Karen O. making animal noises over speakerphone mid-way through the album doesn’t even sound out of place.

Embryonic is the Flaming Lips high on maturity. It is the logical, measured progression of themes they have experimented with for years and is more than worth the time and effort it demands.

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Big Man On Campus: Week 3 – Weapons of Mass Delicious November 2, 2009

Oh, what a First World problem we have, ladies and gentlemen! A billion people starving to death and this guy goes on and on about ingesting too many calories. Maybe if this rotund bastard ate half as many avocado rolls and gave the money he saved to some African dictator to fritter away on alligator skin AK-47 holsters and Ricin, the world would be a better place.

See what I did there? I trivialized the problems of an entire continent in a single sentence. It wasn’t even that hard to do. What is hard is to keep the static down long enough to fix problems instead of pointing fingers.

That’s what we’re here to do, like a hilariously paunchy Mohandas Ghandi. Keep that in mind, fat-challenged folk. We don’t bother you about your elbows being sharp like knives, step off our many chins.

That said: fat people, your fatness is only mostly your fault! It’s also sort of your food’s fault!

See what I did there? I made you think I was being contentious and then stuffed an accusatory finger into the face of Ronald McDonald. But it’s true, the food around us is by-andlarge pretty terrible. If I had a nickel for everything I eat in a day that could contribute to my contracting cancer, or a dime for every unsustainable foodstuff I buy, I could pay for gastric bypass surgery and stop writing this column. But sadly, carcinogens ain’t currency.

We live in a culture of bad eating. This is not to say what we’re eating isn’t awesome; I defy a vegetarian to prove to me that a spinach and pine nut vinaigrette salad is more delicious than a rack of fall-offthe- bone pork ribs in a honey garlic sauce so thick you could use it to, well, eat ribs with. But nobody in their right mind would think that the gratuitous consumption of meat, sugar, and salt is good for you. Prophet Atkins tried that and died of cardiac arrest. That’s not a joke, it’s just funny. The secret is that hardly anyone thinks meat and candy translate into ripe old age. Our options are just a little limited.

High fructose corn syrup, processed sugars, trans-fat, MSG, Little Ceaser’s Hot-and- Readys, salt-water taffy in all the colours of the rainbow, Pez. . . . The things that are worst for us are available, cheap, and delicious. Bad food is pushed onto us from the powers that be, coating us in a film of manufactured suck we just cannot ignore, like a culinary Miley Cyrus. Our food supply has been designed for efficiency and in so doing we feed poisons the things that feed us. My body is under assault and the chemicals in these foods still have not given me sweet claws that I may bolster with adamantium.

Organic is a sham. You pay through the nose and have to choose which couple billion or so more people on Earth you dislike most and want to starve (you better watch out, Switzerland). My pathetic undergrad bank balance can’t suffer the hit of market fresh produce and cruelty-free meats. My hair will likely fall out on it’s own and I could care less to speed that process up by not eating anything with a heartbeat. Things taste best if they at one time had a nickname and friends to mourn their passing.

You’re surrounded, brothers of the blubber. Your food supply has gotten so far outside your control that you can’t help but do harm no matter what you do. Whether to yourself or others, eating is now an act of cruelty. It’s a tough choice between Jimmy Dean’s Sausage Wrapped Chocolate Sausage Rounds and tofu, and likely will be until cannibalism becomes socially acceptable.

Holy shit. Cannibalism! I just solved all our problems!

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Big Man On Campus: Week 2 – Weapons of Mass Delicious October 27, 2009

Oh, what a First World problem we have, ladies and gentlemen! A billion people starving to death and this guy goes on and on about ingesting too many calories. Maybe if this rotund bastard ate half as many avocado rolls and gave the money he saved to some African dictator to fritter away on alligator skin AK-47 holsters and Ricin, the world would be a better place.

See what I did there? I trivialized the problems of an entire continent in a single sentence. It wasn’t even that hard to do. What is hard is to keep the static down long enough to fix problems instead of pointing fingers.

That’s what we’re here to do, like a hilariously paunchy Mohandas Ghandi. Keep that in mind, fat-challenged folk. We don’t bother you about your elbows being sharp like knives, step off our many chins.

That said: fat people, your fatness is only mostly your fault! It’s also sort of your food’s fault!

See what I did there? I made you think I was being contentious and then stuffed an accusatory finger into the face of Ronald McDonald. But it’s true, the food around us is by-andlarge pretty terrible. If I had a nickel for everything I eat in a day that could contribute to my contracting cancer, or a dime for every unsustainable foodstuff I buy, I could pay for gastric bypass surgery and stop writing this column. But sadly, carcinogens ain’t currency.

We live in a culture of bad eating. This is not to say what we’re eating isn’t awesome; I defy a vegetarian to prove to me that a spinach and pine nut vinaigrette salad is more delicious than a rack of fall-offthe- bone pork ribs in a honey garlic sauce so thick you could use it to, well, eat ribs with. But nobody in their right mind would think that the gratuitous consumption of meat, sugar, and salt is good for you. Prophet Atkins tried that and died of cardiac arrest. That’s not a joke, it’s just funny. The secret is that hardly anyone thinks meat and candy translate into ripe old age. Our options are just a little limited.

High fructose corn syrup, processed sugars, trans-fat, MSG, Little Ceaser’s Hot-and- Readys, salt-water taffy in all the colours of the rainbow, Pez. . . . The things that are worst for us are available, cheap, and delicious. Bad food is pushed onto us from the powers that be, coating us in a film of manufactured suck we just cannot ignore, like a culinary Miley Cyrus. Our food supply has been designed for efficiency and in so doing we feed poisons the things that feed us. My body is under assault and the chemicals in these foods still have not given me sweet claws that I may bolster with adamantium.

Organic is a sham. You pay through the nose and have to choose which couple billion or so more people on Earth you dislike most and want to starve (you better watch out, Switzerland). My pathetic undergrad bank balance can’t suffer the hit of market fresh produce and cruelty-free meats. My hair will likely fall out on it’s own and I could care less to speed that process up by not eating anything with a heartbeat. Things taste best if they at one time had a nickname and friends to mourn their passing.

You’re surrounded, brothers of the blubber. Your food supply has gotten so far outside your control that you can’t help but do harm no matter what you do. Whether to yourself or others, eating is now an act of cruelty. It’s a tough choice between Jimmy Dean’s Sausage Wrapped Chocolate Sausage Rounds and tofu, and likely will be until cannibalism becomes socially acceptable.

Holy shit. Cannibalism! I just solved all our problems!

1 Comment on Big Man On Campus: Week 2 – Weapons of Mass Delicious

Big Man On Campus: Week 1 – Like Smoking, But Less Cool October 19, 2009

This is the best picture of me that has ever been taken, bar none.

This is the best picture of me that has ever been taken, bar none.

“The problem is I don’t want one drink. I want 10 drinks.” — Leo McGarry.

I wasn’t fat until someone told me I was. I just finished what was on my plate and went and fiddled with my Mighty Max playset.

I remember the first time it happened. I can’t, however, remember the last time. A boy in my class, let’s call him “Douchebag,” came up to me and stuck his index finger nearly into my belly button. Rather than elicit the standard Pilsbury “hoo-hoo” and grin like a banshee, I elected a more direct approach: I grabbed his wrist and pushed him to the ground. Douchebag didn’t like this and inquired, “Why did you do that, fat-boy?”

Fat boy. Blubber-nuts. Tons-of-fun. Fancy Feaster. Harpoon-proof. Rosie O’Donnell’s left cankle. I’ve heard them all, ladies and gentleman. They don’t faze me now, but back when I traded piggyback rides for packs of Soda-licious they were the be-all-endall my existence. Tell your kids to leave tubby alone because while I think most of us would thank them for it now, back then it required the constant treatment of cry-abetes.

That said, I can’t remember the last time someone called me fat, even from a place of mirth. Maybe it’s just me?

It sneaks up on you. It’s not like a lard baptism or anything — all of the sudden bathed in the fatness of generations before you. It is a gradual process. At some point, you accept it and either change yourself or make it a part of your life. While the calorie-counters are calculating the cost of their candied cranberries at Christmas, I’m cracking the crust off another crostini. Sure, there have been Thanksgivings where I have taken my third helpings in my room, silently weeping in the dark and supplementing the lack of a salt shaker with my pickled tears, but that wasn’t this Thanksgiving.

What it comes down to is that habits like those are self destructive with any substance. I don’t understand people who leave half the bun on the plate. I don’t understand people who like taking the stairs. I don’t understand why people don’t take a second helping. No, I don’t want one Fudgesicle. I want 10. Why would you want this feeling to go away?

In a society where the vast majority of our food supply is created to fulfill evolutionary tendencies toward unsavory savories (sweet and salty are rare in nature, and abundant in a host of delicious things made these days), these are dangerous habits to have. People have thrown away portions of their lives on worse things than food, but none so culturally acceptable. The biggest hurdle for a wannabe fat-man ex-pat is what has proven to be the fattest part of the fattest people: their brains.

I am going to continue to call us fat people. Tubby people. I am going to call us every word that makes us different. If you are offended, if you would like me to say “overweight” or “differently insulated,” or some other such nonsense, the ghost of Mr. George Carlin would like a word with you. I’m taking them back. Because the first step to no longer being fat, or being fat and happy, is to get our minds and habits in line with our waistlines.

And brothers and sisters, I hope you join me.

Bonus content: I now fear skate bowls.

3 Comments on Big Man On Campus: Week 1 – Like Smoking, But Less Cool

Big Man On Campus: Week 0 – I, Fat Guy October 14, 2009

Ladies and gentlemen, I just broke a chair.

As I was sitting here waiting for inspiration, I took a good long lean back in my chair to admire the blank space above my monitor, and faster than you can say “ass over tea kettle,” I’m on my back, my form draped over the busted remains of my chair, a fat man on a fulcrum.

I am a fat dude. These things just happen.

As I lay, broken in body and spirit, pondering the structural integrity of bargain priced Swedish furniture, a thought occured to me. The danger of breaking furniture of any price probably doesn’t occur very often to people with “healthy” BMIs. There are probably a lot of things that don’t occur to them that may occur regularly to the calorically inclined.

Say I buy a dozen Krispy Kremes from some heartless fundraisers in the AQ and eat a few. Just a few though, I swear. I will keep the rest for later out of guilt. Ten minutes later, I think “Hey, these won’t be near as good tomorrow. They’ll be all stale! If I eat them all now and not have a donut for the next year, that’s only one donut a month. That’s pretty average.” I then proceed to bombard my pancreas with high-fructose corn syrup and my colon with saturated fats for the next 20 minutes, purring like a kitten the whole time. What type of mad man thinks this way?

Being fat isn’t just what you carry around your waist. Being fat resides in your mind and in your heart, and I don’t mean hardened arteries and a propensity towards stroke. Being fat is a way of life. It’s taking things in stride and coming out on the other side forgiving, but not forgetting. It’s learning lessons the hard way and coming out stronger. It’s spending the day looking for pants with just enough elasticity to be comfortable without sacrificing dignity.

Despite being a “growing problem,” the media presence of fat people has been relegated to ridicule and t-shirts denigrating our sexual desirability (I’m pulling for you, ladies). The North American obesity rate is skyrocketing with the readily available and readily delicious fast food. It’s the hot ticket, and hell if I wasn’t into it way before it was popular. I’m way into the scene and have the thighs to prove it. I’m not ashamed of my lot. In fact, I revel in it; it’s made me the person I am today. I say it loud and proud: we’re here, we’re near, and we’re coming for your cookies.

Having said that, it’s time for me to take my leave.

In the next year of my life, I am going to take the first steps to distance myself from the only identity I have ever had: the fat dude. Exhibiting incredible foresight, I’m leaving it behind for my health. My knees are my new biggest fans. I want to go from Seth Rogen 2006 to Seth Rogen 2009. But on my way out, I want to give a little insight into the unique challenges and foibles of the new silent majority, having a little fun along the way.

We’re all in this together. One giant, love-handled, man-breasted mass of solidarity. Over the next few weeks, I hope you join me in throwing a solitary sausage-link finger defiantly towards the rampant thinocracy.

Just as soon as I get up out of this broke-ass chair.

A moment of silence for the dearly departed.

A moment of silence for the dearly departed.

1 Comment on Big Man On Campus: Week 0 – I, Fat Guy

Interview – James McNew of Yo La Tengo October 6, 2009

James McNew is talking to me from Durham, North Carolina where Yo La Tengo is set to play a show in support of their seventh full-length album, Popular Songs. While the band has had undeniable longevity and success over long history, critics are quick to point out a lack of mainstream notoriety. The album name seems in reference to that, but McNew disagrees.  “We didn’t think of the title as being a commentary on anything” he says. “I think we mostly just thought it was funny. It was appealing because it’s open to many interpretations, and I think we are happiest with anything that doesn’t just give you directions to what it means and what we mean by it.”

Georgia Hubley and Ira Kaplan started Yo La Tengo in 1984, making the band a quarter century old. McNew says existing through the span of five U.S. Presidents has not numbed him to his fortune.


“Are you kidding? This is my job! I get to do my dream job as my real job.” He admits, however, there are moments where this attitude escapes him, saying “there are moments in a day, when we’re on tour or in the studio or just working…where you feel like screaming. But it’s very easy to step back and look at the big picture.”

With a steady mix of longer, ten-minute plus epics and shorter rock tracks, Popular Songs stays true to the varied landscape Yo La Tengo songs are known for. “It would probably be a more efficient process if someone went home and wrote the songs by themselves and showed up to practice and showed us all how the new Yo La Tengo songs go. We would probably put out a whole lot more records that way.” McNew prefers the collective approach. “We basically just get together and play.” With an improvisational method like that, McNew values the relationship they have with longtime producer Roger Moutenot. “Its good to have a more objective set of ears with us to give us perspective.”

Whether the crowd at a show remains stoic (a prevalent characteristic of the modern “indie rock” concert) or is a little more animated, McNew has mixed feelings.  he jokes “if we’re playing something quiet and I hear someone talking, then I get mad. But if we play something loud, and everybody is too quiet, then I get mad too. There’s no pleasing me. I’m just happy there’s people there. God bless them for showing up.”

When talking about Yo La Tengo’s vast covers repertoire, he cannot say for sure what a band covering Yo La Tengo should sound like. “I don’t know. I think with all the liberties we have taken with other people’s songs we’re fair game.” He adds, “I did think it would be funny if all the people slighted on the ‘Murdering The Classics’ record got together and did a revenge album”.


McNew has fond memories of his time with the band, but finds it impossible to predict what the next 25 years of Yo La Tengo will bring. “Golly. I didn’t know what the first 25 years was gonna have.” He says, “I couldn’t tell you how the rest of the week is gonna go.”

As appearing originally in Beatroute Magazine.


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Live Review – Sea Wolf/Sara Lov